Stop-Motion Animator Faces Her Talent

Jessica Fordham Kidd

I’m pleased with this geomancing king—
the way sand grains appear to slip through
his fingers and the way his eyes are both
proud and cowardly.

His robes flow beautifully
even if his steps are slightly stilted
in one scene.
He moves for me, yes,
but he doesn’t move me

like the wolf, the witch,
or the soldier who simmers
in her manly disguise.

It took me a few nights to realize
they had quickened.
I wasn’t just misplacing them
around the studio.

Then, once I knew, they spoke.
Their tiny, tinny voices are like a record player
without a speaker.

They tell me how we’re all escaping
after this film. How we’re going together
to some fantastic realm
where puppet, painting, and person
are all as real as real.

Even the king will step smoothly there,
they assure me.
They know he’ll have kind eyes
once filming is wrapped.

 

JESSICA FORDHAM KIDD is a lifelong Alabamian and teaches at the University of Alabama. Her poetry has appeared in The Paris Review, Ninth Letter Online, Tinderbox, and other journals; her fiction credits include Phantom Drift, Puerto del Sol, and others. She is the author of the poetry book Bad Jamie published by Anhinga Press.

Jersey Baked

Laura Daniels

 

Issue 126 comes swirling across the moors

cover of issue 126: sketch of clenched fist squeezing a red rose hard enough to draw blood, which drips into a puddle at the bottom against a dark background

Autumn has always been our season, our world, our whole fuckin’ vibe. Fifteen years ago, in October of 2009, Eirik and Monica released the first issue of Jersey Devil Press to rampage its way through readers’ imaginations. Since then we have expanded to include poetry as well as speculative fiction, changed captains a few times, published work from hundreds of talented writers, and experienced a devastating loss that I discussed in the note for the previous issue and am still grappling with as I type this one. Still—more than ever, maybe—art matters, and we are tail-thumpingly glad to have a new batch of stories and poems to share in this anniversary issue

Short form fans will dig Randy Brooks’ haiku and Sydney Wagner’s “Autopsy of a Relationship,” while Nikki Allen’s “Catch” and Simon MacCulloch’s “Death of Light” serve up some fresh rhymes. If you’re of a narrative disposition, slink through “Dillon’s Door” with Charlie Kieft and live the “Cheese Life” with Cass Noah. Admire the beauty and blood of the cover art by Bianca Blauth, “Hand Rose.”

Scrump it all on the website or pilfer the .pdf.

Carry on, fellow creatures. The moon hasn’t answered yet, but that won’t stop us from howling.