Literary Ops

by K. Marvin Bruce



The Roman legion storms our house at breakfast. In a beautifully executed phalanx maneuver, they advance like tin soldiers, the early morning sun glinting off the high sheen of their polished helmets and immaculate shields. They do not appear to be in a good mood.

Looking out through the lacy curtains, past our indoor windowsill herb garden, my wife wipes her mouth and asks, “What are you going to do about them?” She is still sleepy and looks irresistible in her oversized flannel pajamas with her yellow hair carelessly falling across her face like a tattered wedding veil. She looks like she could still be eighteen. She turns back to her toast, lightly buttered. She doesn’t have to be at work until ten.

“Shakespeare always seems to work well on Romans,” I comment off-handedly, trying to keep my mind on the fact that I need to catch the 7:30 train if I’m to be on time. “And it doesn’t even have to be Julius Caesar. I’ve actually found them to be partial to MacBeth.” I notice that they appear agitated, and soon the neighbors will begin to complain. I squeeze one last spoonful of juice from my grapefruit half, drain my coffee mug, and head to the bookshelves.

“They’re erecting a siege engine,” Cat casually observes.

Our edition of Shakespeare contains all of his plays. It is a bit awkward since the book has to be so large, but I’ve read MacBeth more than once, so the darkened edges on those pages provides an instant bookmark. Index finger in place, I stroll to the front door and open onto a well-ordered crowd with hatred in their bloodshot eyes. Discipline. Always discipline with the Romans. The sky is as clear as a mountain lake and the sun ripples across their lances causing bright fireflies of light to dance between their Corinthian horsetails. They look up and fall silent when they see the great tome in my hands. Diction is important with Romans, no slurring of words or unnecessary rushing. The sharp tip of a spear under the fourth rib will always remind you of that.

Once they’ve gone, I glance at my watch. “Why do they always seem to come at breakfast time?” I complain, exasperated. Cat just yawns so luxuriantly that I want to pick her up and take her back to bed, but in these days of mandatory dual incomes, that is just not feasible.



My 8:30 history class is seldom full. Those students brave enough to register for the course usually stumble in at about 9:00 and glare at me as if I were somehow responsible for the timing of the earth’s rotation. Most of them recall their lackadaisical high school history teachers who failed to make an impression on minds hopelessly fixated on sex and peer pressure. College calms them down just a bit. College is a lot like high school these days, only with beer.

The Renaissance, my 10:30, is my favorite class. The rebirth of human culture is a flower of rare beauty that I hold before my cynical eyes whenever university politics get too thick. Many of my colleagues ride this gravy train for the lazy man’s way to a non-challenging career. I have always loved my subject. Maybe a little too much. I daydream during committee meetings. The Dean glowers at me. What has been is more interesting than right now. Hell, anything would be more interesting than right now. I wish the hordes would come during these dull sessions.



Back home I wait for Cat to arrive. She keeps conventional hours, but only reappears at dinner-time. I do the cooking, always with a book in one hand. I hear the front door and my heart gives a little flutter. She is pissed off about work, but somehow that look only makes her pixie face more attractive. Like a child trying hard to be serious. A glass of sweet Chincha Valley Tabernero Borgoña and the weariness of free enterprise begins to melt away. Seeing the Romans put me in the mood for something Italian. Tagliatelle with pesto, a crusty loaf of Italian bread and zucchini on the side. Simple but impressively green.

“Remember your response the first time?” I ask in a playful banter, shoving the commercial blues further and further behind her.

A smile parts her innocent lips. “The real estate agent sure forgot to mention that little feature,” she adds.

“You sure were distressed when you saw Napoleon the first time! That was before we discovered the French love McGonnagall. Lately I’ve noticed they tend to come during breakfast. I might have to start getting up a little earlier so I’m ready for class on time.”

“Maybe we should keep a list by the door so if they ever come and you’re not here, I’ll know what to read to them.” She doesn’t look worried, just a little pensive. Her blonde hair is pulled back now, looking very professional.

“That’s not a bad idea. It has been trial and error up ‘til now, but we’ve got a pretty good idea of who likes what.”

“Some people say they always use the Bible, as if that has all the answers. They’ve obviously never been invaded by an angry Mongolian horde at six a.m.” Her smile parts the clouds.

“Who’d’ve thought they’d’ve been such fans of Kafka? The Bible would likely get you killed in that situation. Some groups like only Beowulf, others T. S. Eliot. You just need to get to know your invaders before you start reading to them.”

“I remember how you swore like a sailor the first time they made you late for work,” she laughs. She takes another sip of Chilean wine. She’s glowing now.

“We’d just moved in then. That was Tutmoses III, the Egyptian Empire, if I recall correctly.”

“What was it that conquered them?” She’s getting happier by the second.

“Milliken. The only modern writer who’s ever had a calming effect on an invasion. Funny, most of them only dissipate with readings from the nineteenth century or earlier.”

The neighbors sometimes complain, but their threats and exasperation fail to impress conquerors. They are stubbornly single-minded. I always say people should read more anyway.

The cheap wine and cheery conversation lead to wonderful results at bedtime. After a bottle of Borgoña we sleep like the profoundly dead.



Morning is too early in the day for my liking. Waking up after a bottle of wine is like being kissed by Aphrodite while being slapped by Dionysus. In the shower I wonder who will trample our lawn this morning. It is growing muddy from constant use, especially now that it is raining. Cat looks so cozy in bed, snug as a child, but she will rouse herself to eat with me; it is our morning ritual. We take turns watching out the window. I always begin my day with black coffee and grapefruit. Start a day bitter and sour and it should end sweet.

I glance at the clock as Cat yawns. The rain has never stopped them before. It is nearly time for the train. I hate to leave Cat to deal with them herself, but I can’t miss another 8:30 class. She smiles groggily and tells me she’s a big girl; she can handle Attila if she has to.

“After all, I handled you last night,” she teases.

The whole way down the block I glance nervously over my shoulder. I worry about her. I need to compile that list. If she’s watching, I can’t see her with the mist over the window.



Students crowd around after class to ask questions or complain, and I am slalomed to my next classroom and don’t have the opportunity to call Cat. To make sure she’s okay. She should be at work by now anyway.



When I arrive in our neighborhood from the train, breathless from jogging along the damp pavement with briefcase in hand, I see no signs of disaster. No fires or broken windows or bloody stains. Inside the books are all on their shelves. Did they not arrive today? I pull out the saucepans and try to concoct a special dinner. Cat smiles when she comes in.

“No invaders!” she announces. “Maybe they’ve stopped at last!”

It has been such a constant part of each day for so long that we marvel at our luck. They’ve never burst in after 7 p.m. In anxious astonishment we take each bite in nervous anticipation. The big hand nears the top. We glance out into the twilight. Nothing.

Cat is so happy she dances right there in the dining room. Spinning around in a joyous swoop she grabs my hand and pulls me up the stairs before the dishes are done. I have to admit that despite the rain, this has been a glorious day. It is getting more glorious by the second.

An enraged shout interrupts our celebration. “Damn it!” I roar, pulling on an ill-fitting bathrobe and sprinting to the window.

“Who is it, sweetie?” she asks, dejected, from the bed.

I squint into the darkening evening. “Assyrians, I think.”

“We’ve never had Assyrians before…”

She’s right. Awkwardly I fumble down the stairs into the library. Where do we begin with Assyrians? I rule out the authors we’ve previously used. They never work twice. The men outside have arms like Burmese pythons, fierce, braided beards and scaled armor. I begin with Dante but they grow only louder and more annoyed. The din is almost unendurable as they construct siege engines and prepare flaming arrows. The Hittites once tried to catapult a diseased donkey onto the roof. A swift solution would behoove me as I pull out books by the handful and begin reading to watch the effect. These dogs of war take to no literature I’d expect: Shelley, followed by Wollstonecraft, Millay, Hawthorne, and Melville – I’ve always believed Melville could stop anyone. The Assyrians rage on. Lights are flipping on in neighbors’ houses. By chance I grab Lovecraft, a writer who never enjoyed success in his lifetime. Although he doesn’t stop them, the din dies down a bit. Radcliffe has the same results. Finally my weary mind latches onto Poe. I solemnly begin “The Raven” and the Assyrians vanish.

Cat is no longer in the mood when I finally trudge back upstairs. I head to the study and start typing up the list for the front door. Instead of Jehovah’s Witnesses or Mormons, my list includes Assyrians, Mughals, and Parthians. And a list of the best literature ever composed.






K. MARVIN BRUCE has taught at state universities in Wisconsin and New Jersey; his current temporary stint is Montclair State University in the latter. He has previously published fiction in Danse Macabre XXX and XXXIII. He has been haunted by literature for as long as he can remember. Some of his best friends are Assyrians.

Issue Nineteen now online!

In college, my creative writing class was told to read The Metamorphosis, by Franz Kafka.  I don’t actually remember what the point of the assignment was, but I do remember finding the novella incredibly boring.  So I said so.  I couldn’t understand why anyone would focus on the mundane quite so much, especially when the main character had just turned into a frigging bug.

Fortunately, our Assistant Assistant Editor, Stephen Schwegler, was in that same class and ready to set me straight.  He gave a rousing speech explaining how the mundane was, in fact, anything but.  It was in the miniscule details that we could envelop ourselves in the story; it was the boring stuff that made it possible to connect with a giant man-roach.  Mr. Schwegler brought the class to tears and changed my reading habits irrevocably.

Or, possibly, he just threw something at me and called me an idiot.  We may never know for sure.

Regardless of how events actually played out, the conversation was eerily prescient, somehow foretelling this very issue of Jersey Devil Press.  The five stories herein – by Henry Sane, Autumn Hayes, Steven Gumeny, Matt Rowan, and Andrew S. Williams – have taken it upon themselves to embrace the mundane – whether it’s reading, cheese, or a positively Gregor Samsa-like work ethic – in the face of the decidedly not mundane.  And that’s the beauty of it, really.  It’s in that nothing, in the conversations and the day-to-day routines of con artists and security guards alike, that everything happens.

Huh.  Guess I did learn something in college after all.  Thanks, Steve.

If you want to learn something too, or just read some kick-ass short fiction, then click here for Issue Nineteen. Or click here for the for .pdf version.


Trapped in the Bathroom at the End of the World

by Henry Sane



The world ended one night as I was sitting on the toilet.  At the time, I remember I was peacefully reading Amerika by Franz Kafka, having just finished the very last word of the second-to-last chapter.  Chapter six, I think.  Maybe seven.

And then the world ended.

Naturally, being that it was the end of the world, it was one of those times when you remember everything about the moment—what you were doing, who you were with, what was in the air, and so on.  Like where you were when you heard a beloved celebrity was shot, or what color tie your father was wearing when he came out of the closet.  Sensory recognition.  You can’t forget these kinds of moments, short of suffering amnesia or some other memory-blanking trauma.  And you can’t forget the details either.  Me, I was half-naked, sitting on my toilet, reading Kafka when the world ended.  I could hear the monotonous buzz of the overhead air vent and the trickling of water from my faulty sink faucet.  I tasted nothing, felt nothing particularly memorable in the line of the physical or the emotional.  The lingering stench of shit was perhaps the most unforgettable.  All in all, everything, internally and externally, was very peaceful.  Both before and after the world ended, very peaceful.

Perhaps I should clarify—the world didn’t properly end, as one might expect of such a thing.  After all, I still existed.  As did my bathroom.  And the Earth was obviously still there.  There was no explosion, or implosion, or redirection or derailment of our orbit around the Sun.  No noticeable increase or decrease in temperature or breathable air.  No chaos, no hideous mutations, no cannibalism.  There was just me. And my bathroom.  And an empty void that encompassed everything else.

I’d just finished the very last word of Amerika’s second-to-last chapter when the violent rattling began.  Something like an earthquake, but far more jarring and profound.  Much quicker also.  And whereas an earthquake is like a ten-second upheaval of mountainous wobbling, during which certainty is abruptly discarded like yesterday’s garbage, this was like having your mind separated from body and time, sucked through a black hole, and instantly replaced.  And also unlike an earthquake, you knew from the very moment of the tumultuous onset exactly what was happening.  But in that fraction-of-a-second moment of intensity, you also realize it’s already come and gone.

So don’t ask me how—but I knew without a doubt I’d just survived the end of the world.

I’d already begun dealing with it—emotionally speaking—before my mind had returned to my body.

The internal conversation went smoothly enough:

It’s the end of the world, said one side.

That’s right, replied the other.  So?

So what?

So what will you do?

What will I do?  Huh?  What are you getting at?

It’s the end of the world… Surely you’ve got a plan, yes?

Yes.  But it’s the end of the world, and we both know that.

Right.

(Pause)

So at the end of the world, you throw out your plans and start over.

Right.

So what’s the use in formulating a plan now?

But you said you already had a plan—

That’s right, I did.  My plan is to forget about plans.  How can we possibly be expected to formulate a proper plan at a time like this, beyond the plan of non-planning, of course?  We haven’t even reconnected yet!  Once everything internally gets back into place, we’ll sort out the external accordingly.  Sound?

Sound.

Then I chimed in:

The end of the world is a plan all in itself, forced upon us all.  There’s no use fighting one Godzilla of a plan with one little BB gun of a plan.  We’ll scope out the end of the world, pretend it’s a blueprint for the future of mankind and go from there.

That sounds like a plan, replied the first side.

So it does, agreed the other.

Instinctively, I knew it was the end of the world.  I didn’t learn it from the voices and they didn’t learn it from me; we all just figured it out at the same time.  I knew it before the cave-in of the bathroom door, the landing point of some weighty debris.  I knew it before that faint hint of sulfur hit the air.  And I knew it before the air returned to the familiar smell of shit.

Without the need to test it, I was sure I was trapped—trapped in the bathroom at the end of the world.  I could have easily cleaned up and tried to shuffle through the tiny crack between the large debris and the doorframe; but the debris was so massive and so obviously cumbersome that even the thought of moving it was completely pointless.

So there I sat.  On my toilet at the end of the world.  No one, no thing, existed beyond the walls surrounding.  And I was sure of it.  Still, I wanted to remain positive.  Instead of thinking about what I knew there wasn’t, I tried to think of what perhaps there was, if anything, left beyond my bathroom walls.  But it was useless.  I just couldn’t conjure the thought.  Maybe in that split second, when the world ended, I formed a mental block, whereby some fragment of my subconscious refused to pass hopeful information through the necessary channels to reach my conscious mind.  Actually, my way of thinking was rather odd in this respect.  Assorted words and phrases came frequently to mind, as they normally might after any tragic occurrence, but no pictures or meaning came attached to them.  Words like fire, death, misery, desolation, obliteration, re-population, fear, rubble, bodies, loss, nothingness

It all just bounced right off as if I’d reverted to infancy.  The words could have just as easily been hamburger, astronomy, condom and Pileated Woodpecker.

After about thirty minutes of very calm acceptance—it was almost meditation, minus the specific intent to find calmness—I decided to continue reading Kafka.  I never knew before I began the final chapter that Kafka had never properly finished the novel.  The final chapter comes out of nowhere, after leaving a mostly unresolved second-to-last chapter, and essentially the story finishes nowhere.  All in all though, an enjoyable read.  I would highly recommend this novel to anyone who’s just survived the end of the world.

With nothing better to do, I decided to start reading Amerika again from the beginning, optimistic that this time it would turn out better.  Maybe in my first read-through, I thought, I’d approached it in the wrong frame of mind.  I don’t usually read novels twice.  Too many on the “to read” pile.  But I wanted to catch something new that would unite this novel’s broken pieces.  I just can’t stand a story that ends like that.

So there I sat, on my toilet, trapped in the bathroom at the end of the world, opening Amerika for one more read-through.

Chapter one.






HENRY SANE is a 26-year old enthusiast of literature. He reads it, writes it and, at Columbus State University, studies it. He plans to earn his degree in English Literature in the Fall of 2011. His favorite activities include cemetery war dances, hopscotch, and bumping into random people so as to fulfill the void for human contact. On occasion, he reports the uncanny ability to eat an entire bag of pretzels. His writing varies in style, ranging from the frightening to the absurd, from the grotesque to the whimsical, and from the readable to sheer wiping material.