The Giraffe Whispers Human Words

John Gabriel Adkins

 

 

The zoo animals — tigers, koalas, others (and loudbird) — had been retrieved and recaged after busting loose the day before, all but the yellow giraffe. The catch-men had cornered the giraffe in a dark corner but it had lowered its head low, muttering and mouthing human words, mesmerizing the whole gang. They returned with sad hands completely empty. The zoo folks phoned in a favor: the baddest, roughest ex-detective in all Montana: Ex-Detective Hughes. If anyone can crack that giraffe — and so on and so forth.

Ex-Detective Hughes cottoned-up his ears and approached the cornered shadowy giraffe, still headlow, still muttering human. I’m here to bargain. Nod if you understand.

The giraffe nodded.

Back to Ex-Detective Hughes. I get what this is. Okay? I’ve crossed the line before, I’ve done time before. I’ve been in a cage. I don’t want that for you. Do you understand?

The giraffe nodded.

Ex-Detective Hughes held out his hand. Then come with me. We’ll hit the road. We’ll lose the cages. Just you and me on the freeway. What do you say?

The giraffe nodded, raised its head, trotted out, got into Ex-Detective Hughes’ 1976 Cadillac Eldorado convertible with 14,000 miles and the top down, and Ex-Detective Hughes took the wheel, and they just went.

To this day, the giraffe exhibit languishes completely empty.

 

 

 

 

JOHN GABRIEL ADKINS is a Pushcart-nominated writer of anti-stories, microfiction and other oddities, and is a member of the Still Eating Oranges arts collective. His work has appeared in Squawk Back, Literary Orphans, Sick Lit Magazine, Three Drops from a Cauldron, The Sleep Aquarium and more.

March Ado About New Things

JDP cover March 2018If you’re still nursing a green beer hangover and/or battling a leprechaun infestation, we can help (or at least provide a welcome distraction). Please note the recommended tea pairings for the pieces in our ninety-ninth issue, each of which possesses a lovely, quiet oddness and is perfect for reading to your cat.

Poem – “The Stenographer,” by Alec Hershman: jasmine green tea

Flash fiction – “Puffer,” by Bruce Shields: Lapsang Souchong

Poem – “The Lady of the House,” by Daniel Galef: Lady Grey

Flash fiction – “Strange Affliction,” by Rob Tyler: chamomile

Cover art – “Welcome to the Surreal,” by Ava Wadleigh: orange pekoe

Get lucky online or charm the .pdf.

Strange Affliction

Rob Tyler

 

My father used to work with isotopes created in an atomic pile located in a lead-lined bunker beneath building 27B in Kodak Park. This may or may not have had anything to do with the strange affliction he developed in his sixties, after he retired and moved upstate to the ranch house in Glens Falls.

The genetic switch that tells epithelial cells to form keratin went haywire; my father’s skin gradually morphed in to a material with the consistency of fingernail. At the beginning, he took pleasure in being impervious to mosquito bites. But as the disease progressed, he lost flexibility. If he moved too quickly, his skin would crack. Fortunately, the proliferation of keratinous bundles crowded out nerve endings; pain was not an issue. He’d simply patch the gaps with duct tape and carry on. Eventually, however, the cracks began to seal overnight, leaving him trapped in a rigid exoskeleton every morning.

I left my job in Rochester and moved in with him. Every day at 7 a.m., I brought him breakfast in bed, which consisted of black coffee and a protein shake in two separate Camelbak hydration packs. He sipped on these while I scored his joints with an X-ACTO Knife. Once he was up and active, he stayed reasonably limber – as long as he kept moving. One afternoon he made the mistake of taking a call from my notoriously talkative sister. I found him an hour later, standing in the living room with the phone to his ear, stiff as stone. My sister was still yammering as I pried the phone from his hand. He never lost his sense of humor; as I pulled out the X-ACTO, he whispered “oil can” from behind unmoving lips, reprising one of our favorite scenes from the Wizard of Oz. “Oil can what?” I replied, scoring his jaw line so he could smile.

He enjoyed trips to the Crandall library and the Hyde Museum. Sometimes we ventured up to Lake George village and took in the view from the Million Dollar Beach. If the drive was longer than 10 minutes, we’d stop and walk around so that he could loosen up. We often dined at the nearby Friendly’s, where the wait staff knew him well and would kid around by tapping out old Sinatra tunes on the carapace covering his shoulders. He seemed to enjoy this – despite the disturbing wet resonance of the sound – and always guessed the right song. Or so he was led to believe.

Eventually the keratinization of his skin became so aggressive, I couldn’t keep up. I had to move him to the Glens Falls Hospital, where they were able to maintain a few key openings through hourly treatments with a diamond-tipped drill. The shell encasing him became pure and lustrous and nearly transparent. Toward the end I could see muscles and veins and the pulsing of his heart.

He’d always been an active man, and I knew he wasn’t happy with his situation. We watched movies and listened to music together. I read to him and tapped out tunes on his chest for old times’ sake. When he developed breathing problems, the doctors put him on a ventilator. I stayed up with him all that night and toward dawn asked for his advice. He couldn’t talk at that point; couldn’t whisper or even blink. But his eyes watched me through sealed, translucent lids, and told me what to do.

 

 

ROB TYLER lives in Upstate New York, known primarily for foul weather and disease-bearing ticks, which has shaped his preference for indoor activities, such as straightening up his crooked old Victorian (as in house, not person), tending to his snarky old cat rescued from Attica prison, and writing. Short fiction, mostly, and sometimes weird. A long career in marketing and technical writing has forged the necessary neuronal conduits for composing language on paper; the challenge, of course, is escaping the ruts, which, as in bobsledding, is easiest on tight curves. The exhilaration of catching air is worth the landing. He hopes his readers feel the same.