Life on Mars?

Dana Mele

Keane awoke with the oddest feeling, as if she were suspended above the ground in an enormous block of jell-o. The air was breathable but oppressively warm in her throat; it scalded her lungs. She pushed through the thick atmosphere to her feet, her blankets falling heavily to the ground. The air went through her lips and down her throat like white hot blades. Nothing looked different. Her room was exactly the same as it was before she fell asleep last night, down to the spidery cracks in the ceiling.

It was perfectly silent, that was the next thing that struck her. She pushed through the air, down the stairs and across the hall to the front door. The hardwood floor felt tacky under her feet, like putty that sucked at her soles and left a filmy residue. But it looked just as it always did. Solid, unchanged. Outside, crowds of birds congregated on the pavement, and cats and raccoons picked their way between them, as if too confused to make trouble. She was glad of that, at least. Cats unnerved her. Her mother put it this way: they looked at you as if they knew what you were thinking. That was what it was.

Between the doorstep and the street was dirt. Every weed, every flower, every blade of grass was gone. The garden was a graveyard of little plastic tags that noted what should have been growing there. Daffodil. Eggplant. Strawberry. All absent. Just yesterday morning Keane had noted with satisfaction the little berries of tomatoes beginning to form on the vines. Now there was nothing. Plain, thin stakes of wood, with nothing wound around them, nothing growing.

The neighborhood looked naked without trees. Unsightly features of the assortment of modest Cape Cods were exposed. A dark tangle of wires here, an aging air conditioning unit there. Missing hedges revealed a litter of toys and gardening tools, dog bowls and coils of hose. Everything was where it had been left, everything was exactly as it should be, except for plant life.

Keane made her way across the soil to the street, where dozens of eyes looked up at her quietly. Bird eyes. Cat eyes. The birds were questioning; the cats were accusing. Where is my nest? The birds wondered. You should know, the cats thought at her. A hungry sparrow fluttered up and landed on her bony shoulder, pecking irritatingly. Is there anything left? Anything at all? We’re starving here. Anything? Anything?

She brushed it off, startled at its touch. Her head throbbed and it was exhausting to move through this thick air. The more she stood still, though, the more the silence frightened her, so she began to jog against the stubborn air, down toward town. It was an unsettlingly bright morning. The sun burned hot and orange above, and the sky was colorless. She could see the reaches of space through the cloudless atmosphere, still and serene. Some of her neighbors were out on their front lawns, staring up, unmoving. She didn’t call to them. The way they stood there, so impeccably still, sent chills rippling over her skin. Lifeless. They looked lifeless, even as they stood, chins to the sky, eyes open wide. She couldn’t bear it if she were to call to them and they just stood there like scarecrows, like marble statues. The loneliness was palpable, but she was used to that. Loneliness she knew how to digest. Death, though…

She stopped to wipe the sweat from her forehead and catch her breath. Her throat stung from that awful air. Jogging into it was like trying to run into a hair dryer on full blast. An unexpected breeze lifted her hair from her scalp and she closed her eyes for a moment, remembering her mother’s fingers, lifting, snipping. “You spend too much time alone,” she would chatter as she worked, spraying the ends of Keane’s hair, trimming. Snip, snip, snip. “Edie Meisner’s son is getting a divorce. Remember Jacob? He was in your class.”

“He picked his nose.”

“Well, every third grader picks their nose. You picked your nose too, sweetie. You think your shit smells like roses?”

She didn’t. But she had no interest in Jacob Meisner. How could she? He would be a waste of time, and even when she promised herself not to get her hopes up, it always stung when they didn’t call anymore. One voicemail and the panic began to grow. Two and her heart thumped angrily at her, off rhythm, I told you so. I told you so. I told you so. She had a normal life. She had a job and a routine. She was even a homeowner. She’d done well for herself, studying intently for her M.B.A. and working diligently at her torturously boring desk job at the bank. She was a good listener and a caring friend. It didn’t matter, though. People couldn’t get past that word. Schizophrenia. “It barely affects my life at all,” she’d explain. “I take my meds, I see a psychiatrist, I know my mind very well. If something starts to go a little off kilter, I know it. I take care of it. I know my mind very well.”

They’d stare at her over the table and stop chewing their food, and her heart would begin to sink.

“Do you hear voices?”

“Rarely. If I do, I tell my doctor right away and she adjusts my meds. Really, I’ve been living this for nearly half of my life. I’ve got it.”

“Do you hallucinate?”

“Do you?” Keane would usually snap at this point. They stopped listening and there was nothing that could bring them back.

A slow doubt began to creep up her spine. No, this wasn’t a hallucination. It didn’t work that way. The whole world didn’t suddenly change. The sky didn’t fall. This was well beyond any strange thought she’d ever had, any unbelievable hunch, any voice that wasn’t there at all. She knew her mind very well. This was outside of her. This was something else. It was as if thousands of hands had descended from the sky and begun to harvest, and now nothing was left.

Well, not nothing. She was left. The birds and cats and raccoons. The neighbors frozen on their lawns, gaping up. Did they see the hands? Maybe they did. All Keane could see was the sun. The stars. Bright light that was almost blinding. She stood a moment longer, looking around, feeling exposed in the t-shirt and boxers she’d slept in. Mitch’s t-shirt, Mitch’s boxers. Mitch, the first and last one to stay after she disclosed her diagnosis.

“Do you hear voices?” He’d asked, like everyone always did.

“Rarely.” Before she could continue her speech, he interrupted her.

“What’s it like?”

She eyed his fork as it stabbed leaves of lettuce and shuddered as he ate them.

“Like this. If I didn’t exist. Like I didn’t exist but I’m still right here, talking to you. Eating linguine.”

“Sold.”

They married too soon, after a lot of sex and talking and alcohol, but they made it work for a little while. Keane was embarrassingly happy. “What have you done with my daughter?” Her mother said. Mitch called her his changeling. “Do you still love me?” She would ask him every morning, when he woke. Doubts would take root overnight, but she always waited until morning, until he was rested, to ask. “Is there life on Mars?” he would reply, and wrap her in his furry arms. She’d taken that to mean “of course.”

It ended one night without warning, after that incident with the cat. She’d called him over and over, sobbing with her whole body, crying like a baby cries, with her stomach, with her shoulders, with her hands. Straight to voicemail. Straight to voicemail. Straight to voicemail. She’d seen him at a Starbucks a month and a half later, sitting with a pretty redhead in a puffy coat. He didn’t look up at her. She had wanted so bad to just march up to them and introduce herself to the girl, to say, “I’m Mitch’s wife, I’ve heard nothing about you.” Or at least to snatch the cup out of his hands and pour coffee all over him. But she didn’t. You had to hold yourself to higher standards when you had a diagnosis. You had to be extra, extra sane, or people would write you off as a crazy bitch. Sane people had the privilege of acting crazy now and then. Crazy people had to behave.

She took her time, slowed her pace as she grew closer to town. What if there was no one moving down there either? What if Keane was the last person left alive in the entire world? Could she survive completely on her own? Surely not for long. For one thing, she’d need her meds, or what kind of life would she have? When she had her first and only true psychotic break, back in college, she’d gone way off the deep end. She had no reason to believe she might be schizophrenic at the time because she’d never been schizophrenic. There was no reason to believe anything she was thinking or seeing was not 100% reality, because until that point, everything she’d ever thought or seen was 100% reality.

So why were people suddenly always talking about her behind her back? She realized it as soon as she entered a room. Suddenly the atmosphere would shift, everyone would change the subject quickly. They had to have been talking about her, she realized. These were people she barely knew from class, along with her best friends and her professors. Everyone, everyone was discussing her, some horrible rumor she couldn’t even guess. It was because she’d slept with that gross MIT frat boy after the Cristal Ball. That’s what she thought at first. Then she thought it was because she’d worn the same underwear three days in a row when she was pulling triple all nighters during finals. Someone knew, someone told, and now they were all laughing at how disgusting she was.

And why couldn’t anyone understand her anymore? Keane had always been a very outspoken person, and she loved to engage in a good debate (Mitch called her argumentative but could she help it if he was always wrong?) but suddenly, people couldn’t keep up. They couldn’t follow her train of thought. It annoyed her because she couldn’t explain things any simpler: Einstein’s theory of relativity was wrong. Imagine if you lived in an infinite number of universes at the same time. How can mass be expressed in terms of speed? Since everything could exist, everything does, in one of those infinite universes. We are being born and dying and living on Mars, all right this instant.

People didn’t get it. They were growing stupider every day. Everyone. All of them.

And then there were the ghosts. Everyone knew the dorm was haunted, by some student in the 50s who’d committed suicide there. And there were plenty of stories of people who’d seen the ghost of the dead girl. So why was everyone suddenly so weirded out that Keane could see her? Maybe she was a little psychic, because the ghost would talk to her too. And then a few other ghosts appeared and told her their stories, the janitor who’d been killed after a wall collapsed on him, the girl who’d died of food poisoning and warned her not to eat anything green.

She finally understood that she was living in a movie, that people all over the world were watching her life, taking notes, reviewing it in magazines. Keane’s performance is moving, but even she can’t pull the film out of a sea of tropes and into relevance.

After she’d spent a week in the hospital, after the meds seeped into her system, she could see where all of that had been imagined, and she was humiliated when she returned the next semester. But people seemed genuinely glad to see her again. No more dates though. Not one until after graduation.

There were a few people outside the police station, standing still in the dirt and looking up at the sky with their mouths open. It was the creepiest sight. Two were uniformed officers, and then there was a woman in a bathrobe holding the hand of a little boy in footie pajamas. They all stared up. Outside the general store, Mr. Meisner stood with his wife, broom in hand, apron smeared with what looked like blood, probably from the meat locker. Maybe she would ask Jacob out, Keane thought. If he was still around.

There was no one in the store, no one in the police station, no one in any of the buildings. There were just people, standing on the grassless lawns, unshaded under telephone poles instead of trees. And so many birds, shuffling around the street, mice darting around, cats milling. One of them looked into her eyes and mewed, and she stiffened.

They looked at you like they knew what you were thinking. Can you hear me think, little brat? Keane never had anything against cats in the past. It wasn’t until the incident that caused her divorce that she realized how disgusting they were, how smug and shitty and stuck up. That wild, feral thing Mitch had “rescued” from the forest behind the house. The forest that wasn’t there anymore, only fields of dirt. Keane had taken pity on the cat because Mitch wanted her to. She bathed it and fed it and sat stroking it for hours. He had been tense lately, but that cat seemed to fix things, so she loved it. She kissed its paws and played games with yarn to amuse it. She fixed delicious, healthy meals for it from scratch, from recipes she found online for pampered cats. Nothing green of course. She knew better than that. But plenty of other vegetables, carrots and potatoes and peppers. Part of her knew the cat was an experiment. If she could take good care of the cat, Mitch would see how wonderful a mother she would be, and would change his mind. “You know why,” he’d say any time she broached the subject. “It could be like you. It could be sick. How could you want that?” Because I like being alive, you shit, Keane would think. God forbid a sick person should mar his perfect little world. God forbid another Keane should walk the earth.

But then things started to look up. She could see it flash in his eyes now and then while she fussed over the cat. Maybe? He’d think. It was always followed by a question mark. Maybe? But at least he was considering. Before he’d been intractable.

She and the cat had an understanding. She took care of it, and it loved her and praised her with purrs, showing Mitch what a responsible, caring mother she could be. Cats understood. Cats knew.

These cats weren’t normal though, walking among the scores of birds and mice, not lifting one paw to harm them. They were evolved. They knew, too, but they weren’t jerks about it. They understood compromise. They were compassionate. The birds couldn’t flee to their trees; the mice couldn’t retreat into the bushes. It would be in bad form to kill them under these circumstances. Unsportsmanlike. The cats understood this.

She finally got up the courage to speak to one of the staring people. “Excuse me,” she said timidly to one of the police officers, a young woman with short sandy hair and blank eyes. But the officer didn’t answer. None of them did. And they all wore the same blank expression.

She felt something curl around her ankle and she screamed into the gelatinous air. No one reacted. It was one of the cats. A black one with white spots and yellow eyes. It was circling her, urging her to stay.

Mitch’s feral cat had been black with white spots, but its eyes were a deeper golden, almost red in the copper dusk. Those eyes were bright red when she caught it in the act. It had trapped a bird, one of the baby birds from the nest that had been sitting above the door all spring. It was batting it back and forth between its paws, growling, aggressive, cruel. Hateful. And as Keane stared, frozen in horror, it looked up at her and grinned horribly. She had loved those birds. She and Mitch had watched the nest as the mother and father bird had built it, laid eggs, as the eggs had hatched. Those eggs held all the hope she had for her own babies, for her motherhood. All her hope that she and Mitch could have their own family, fill their own nest with chirping children. And this cat, this evil thing, had murdered. In cold blood. The nest lay on the ground a few feet away in the garden, and two more baby birds lie still and lifeless on the sidewalk. She screamed at the cat to leave that last baby bird alone, but it ignored her. She looked around helplessly, and screamed again, and when it didn’t listen, she grabbed the snow shovel that had been sitting on the porch since winter and beat it away.

She didn’t kill it. She didn’t want to kill it. She just wanted to get it away from the bird, to do whatever was necessary. That baby bird was still alive. It was moving its wings. She had to hit the cat. There was no other way. But Mitch had come home, and seen her standing over it with the shovel, and he had gone into the house and emerged with a packed suitcase, one that he must have packed some time ago, and a cardboard box. Without a word, without even looking at her, he’d picked up the injured cat and placed it in the box, gotten back into his car, and driven away. He came home much later, but he didn’t speak to her. They ate together at the kitchen table, meatloaf and baked potatoes and a salad of beets, nothing green. Then he’d climbed into bed next to her and he’d turned out the light. And in the morning, he was gone.

Keane reached down and picked up the cat, the gentle cat. It purred in her arms. “You see,” she said out loud. “I would be a wonderful mother. I would protect all of my babies, no matter what it took. You would too.” The cat looked at her with inquisitive eyes. And my brothers, and my sisters?

She placed the cat down carefully and looked around again. No grass, no trees. Dirt everywhere, and people just standing there stiffly, looking up at the sky. The air was so thick. So painfully thick. It was difficult to breathe. It was difficult to walk. It felt nice to just stand there, with the police officers and the mother and child. It was a new world and this was her new family. As she stood, she lifted her eyes and connected with the sun. She felt an odd sensation creep over her skin, like a cool caress of wind, and then her skin began to harden like a shell. Her mouth stretched open and her eyes gaped. The cat wound itself around her ankle, mewing anxiously. Will you protect us? Will you stay?

Her arms grew arms and her fingers grew fingers. Those fingers grew fingers, and waxy nails bloomed out from the ends. Her feet stretched down, down into the cool damp soil and her toes explored the depths, growing toes, growing more toes. Her legs sprouted legs and twisted comfortably, settling her deeply in the ground, stabilizing her. As her many fingers fluttered and waved at impossible heights, she felt an enormous burst of energy surge through her. Her cells vibrated with life and her soul trembled with possibility. Oxygen flowed forth from her body and she kissed the air with her skin. Yes, she thought, from the core of her thick torso, as the birds settled into her hair, nuzzling her cheeks. Yes.

DANA MELE is an attorney and writer based in the Catskills. Her short fiction has recently appeared or is forthcoming in Typehouse Literary Magazine, Lunch Ticket, Right Hand Pointing, and Mad Scientist Journal, among others. She doesn’t hate cats.

The Pendulum

Michelle Meyers

The pendulum of the mind alternates between sense and nonsense, not between right and wrong.

— Carl Jung

Tick Tock, Six O’Clock

Billy and Biff decide to go on a walk after their mother tells them to get some fresh air. They are being rowdy, they are being bad boys, shoving chunks of hamburger meat into each other’s hair, spilling streaks of warm milk across the kitchen floor, warm milk that was meant for the baby. Mrs. Henderson flounces in on high heels, pearls sifting around her neck, grabbing each boy by the scruff and tossing the both of them into the front yard.

“Be back here before the sun goes down,” she calls. “Remember, bad things can happen to little boys after the sun goes down. I’m going out with your father, so the babysitter will put you to bed, okay? Harry? Harry, hon, have you seen my purse?”

They’re the ones with the girl who died, aren’t they? Drowned in Lake Arrowhead, came out all blue and gray, and now he has to make small talk with them for an entire evening, gab gab gab, Harry this and Harry that, because Martha says they don’t get out enough and that proper couples must socialize. The girl was so beautiful, too, not the brightest student he’d ever had in his class, she was no scholar on Dickens, that’s for sure, but the way those soft blond curls looped around one another, her lips like the ripest of ripe red cherries — oh yes, he was being clichéd, he knew — her dark eyelashes fluttering as if she were trying to fly away.

He hikes the winding dirt path back up to the Observatory, repeats it in his head, again and again. “It’s James, not Jimmy, not Jim, not Jimbo, not Jamie, but James, okay? James.” Not that anybody cares now. He doesn’t speak to people. He just watches them, waits for them to toss out a half-eaten sub, an extra slice of pizza, some French fries, and then he’ll swoop in, and that’ll be dinner, a mighty fine dinner, yum yum. Afterwards he’ll go back on in to the Observatory and tuck himself away in the bathroom for awhile, feet up on the toilet seat, wait for the staff to lock up the doors until it’s just him, all alone in there.

She wants to run away with the baby. Sometimes she imagines getting into the car, the baby by her side, the two of them speeding down the 5, vroom vroom, until they are far away from everybody else. She loves the baby girl so much more than she has ever loved the boys. There are some things a mother cannot say but she can think them as much as she wants. There is something special about the baby. There is something different.

“Come on, Martha, finish up in there. We’ve got to get a move on or else we’ll be late!” Harry’s voice ripples across the tepid bathwater still left in the tub.

Tick Tock, Seven O’Clock

A hike, that’s all, a short hike before the sun goes down. They always choose the same one, the one that goes up to the old zoo. The city closed the old zoo a few years ago, claiming it was inadequate, ugly, poorly designed and under-financed. So they said. But as far as Billy and Biff are concerned, it was haunted, that’s what the problem was, why the city had to move all the animals to the Los Angeles Zoo instead. That’s why the animals kept disappearing and dying. The old zoo was haunted. The old zoo is haunted.

“Hurry up, Billy, last one there’s a rotten egg!”

Billy runs, he runs ahead, he punishes the gravel dirt under the soles of his sneakers. He pushes ahead of Biff.

A rustling in the bushes. Somebody is watching.

They drive by the park with all those green trees cascading down the sides of the hills and the sun beginning its purple descent into night and he thinks about asking Martha, about suggesting it to her, just pulling into that lot by the merry-go-round and traipsing behind the trees for a little, you know, fun in the dirt, in the leaves, in the twigs, rolling around, a bit of an appetizer before the dinner party, right? Why not be naughty? He can feel himself, well, he adjusts his bowtie, tightening, constricting around his neck like a hand threatening to choke —

“Harry!”

Screech to a halt, just in time. A cat in the road, a dumb old orange cat that has some kind of death wish.

Her heart ricochets back and forth inside of her rib cage, the cat slinking away, a specter into the dark. Maybe she would leave the baby behind. It would be easier that way, to just slip away, disappear. No diaper changing, no formula, no caterwauling in the middle of the night. She could go down to Palm Springs, hide away in the desert, or maybe up to Cambria. She’s always loved Cambria, those sheer cliffs above the ocean, the smell of pine needles like some mountain town. She smiles. The baby has colic but tonight she doesn’t care. The babysitter will deal with it. Maybe the babysitter will take the baby. Maybe Martha doesn’t actually love the baby all that much. There is something different about the baby. Something off.

Tick Tock, Eight O’Clock

James climbs down from the toilet seat, takes his usual couple of laps around the building to stretch his legs. He passes beneath the mural spreading across the ceiling of the Observatory’s main dome. In ancient times, people used myths to understand what they saw in the skies. Atlas holds the zodiac signs, Jupiter carrying his thunderbolts. Venus, Saturn, and Mercury chase Argos, the god of war. A woman clutches the Star of Bethlehem. Beneath the mural is James’s favorite exhibit, the Foucault Pendulum, a 240-pound bronze ball suspended on a 40-foot cable, in constant motion as the Earth turns beneath it, proof of gravity, proof of rules. He also enjoys the Hall of the Sky, where they have giant telescopes that let you look out over all of the solar system. James likes to imagine that maybe someday he could go out there, swerve through the stars, far, far away from this place.

Today would have been James’ high school graduation. He thinks of all of his classmates in their black gowns, tassels hanging down over their eyes, the principal droning names, parents dripping tears. He likes it better this way. He’s been gone exactly two months now. He’s surprised they haven’t found him. Could it be that nobody’s looking?

“Did you hear that?”

“What?”

“That sound!”

“Probably a tiger they accidentally left behind.”

“Not funny, Biff. I think somebody’s here.”

“It’s just the wind.”

“Maybe we should head back. It’s gonna get dark soon.”

“We’ve still got at least a half hour. What are you, chicken?”

Snap. Snap. SNAP!

“There it is again!”

Harry is performing just as he is supposed to, shake the hands, smiles and nods, oh yes, that pot roast does smell so lovely, and yes, I did hear about your daughter, so sad, so sorry, a young mind lost, a boating accident, the worst, and no way, no how do I touch myself at night thinking of her limp, bloated body reborn from the depths of the lake. No, not that part, he doesn’t say that part, he didn’t even think it, not really, a joke, imagining their faces curdling in response. No more dinners at the Mulligans, nope nope! No more dinners ever again.

“Harry, Martha, come in! Come in! Let me take your coats,” Mrs. Mulligan insists. Harry slides off his sleeves, glances out through the glass sliding doors into the backyard. A coyote streaks past, crooked legs loping, a prize in its mouth. Its lips curl back in a smile to reveal the sinewy chunked tendons of the family’s Maltese.

What if the babysitter decides to leave early? What if the babysitter scalds the baby’s mouth with too hot milk? What if the babysitter accidentally suffocates the baby as she hugs the baby against her globular double-D breasts? Martha closes her eyes and the baby is blue, the baby is bloody, the baby is decapitated, head rolling down the cul de sac. She should have never let Harry convince her to see Rosemary’s Baby at the Cinerama Dome. People have always told Martha she looks just like Mia Farrow. No, actually, nobody has ever told her that.

Tick Tock, Nine O’Clock

The baby figures out how to escape the crib. She figures out how to climb onto the countertops, how to unbolt the deadlock on the back door. She soldiers on through the wet grass, barely toddling at this point. She has a mission to fulfill, a mission that only she can understand.

The babysitter never came. There is no babysitter. Maybe there never was.

Biff beats his fists against the bars, a warbling echo in the descending darkness. Billy sits on the twiggy floor, rocks back and forth on his heels, arms wrapped around his knees. He did not remember to bring a sweater.

“That wasn’t funny, Billy. That wasn’t funny at all. Now we’re locked in here and it’s practically dark!”

“I told you, I didn’t lock us in here! It just locked on its own.”

“Cages don’t lock on their own.”

“Well I didn’t do it!”

Billy’s eyes well up with briny tears. Biff sits down next to him. “It’s gonna be all right. Somebody will find us.”

“What do you think used to live in here?”

Just then they hear a throaty growl, a slashing of damp orangey-beige fur against their vision, the thump of leathery paws against the packed soil.

It takes only moments before all of their clothes are off, the four of them rolling around on the living room carpet, streams of saliva hanging in loose, waving webs between their mouths, Lydia Mulligan’s pink nipples erect as Harry touches between her legs, Martha moaning as Arnold Mulligan slides his tongue around the edge of her left ear. This is what it should all be about, sharing and loving and freedom and all that. The kids have it right. The kids know what they’re doing.

“Harry, can you pass the roast?” Harry blinks. He is not paying attention. Harry is staring at a spot on the ceiling. Martha often has to ask Harry to pass things across the dinner table two or three times before he hears her. The Mulligans, though, they know how to pass. Martha already has heaping piles of green beans and mashed potatoes on her plate.

Martha wonders if Harry is thinking about the Mulligans’ girl. She knows he was there, up at that lake cabin, the two of them together, the weekend that she croaked, kicked the bucket, swam with the fishes. She enjoys a bit of dinner theater, waiting to see if Harry will say anything, if the Mulligans will guess. The school will know soon enough, an anonymous note from a concerned parent, and then it will be bye-bye Harry, see ya later! It’s not as if they’ll miss him. He never has been a particularly good teacher.

Harry finally looks up, realizes his faux pas. The roast swings its way around the table. For just a moment, Martha considers that its snout looks vaguely dog-like. Whatever did happen to the Mulligans’ Maltese?

They filmed Invasion of the Body Snatchers here at Griffith Park. That’s one of the reasons James came. Alien plant spores fallen from space, loved ones’ bodies mysteriously disappearing, but nobody will believe them, nobody will believe! Until it’s too late, that is.

James lets himself out the back of the Observatory, sits down on one of the white concrete ledges bordering the edge, gazes out into the violent sunset against the hills overlooking Downtown to the south and Glendale and Burbank to the north, the transition into darkness combatted by the constant orange haze of city lights. He has never liked the city, has never felt at home. He is quite sure he is supposed to be elsewhere.

James looks up into the grit of stars just beginning to appear in the night sky. He squints his eyes, waiting for a sign. He’ll keep waiting, for as long as it takes, until they forgive him for whatever he did wrong and let him come back to his home planet.

James traces lines between the stars with his index finger. A home far, far away.

Tick Tock, Ten O’Clock

Billy and Biff are stuck in a cage. Billy and Biff may not escape. They are too frightened to yell or scream. Urine dribbles down the inner leg of Billy’s pants. They are sweltering hot even though it is only 50 degrees out.

A tiger, a tiger in the cage with them. The boys cannot see the tiger but they can smell its sour musk, hear its deep chest rumbling breaths, its paws padding around in the dirt, licking its teeth.

The tiger approaches.

“What if one of us dies tonight?”

The tiger growls.

“Maybe we should make a run for it?”

The tiger pounces.

“Billy!”

The tiger eats, the stench of blood ripe in the air.

The baby is not particularly good at hiking, but she figures now is as good a time as any to practice. Her baby Ked sneakers kick up bits of dirt and rocks. She craves milk, breast milk. She must go on without it, though. She has never been awake this late before. It is past her bedtime. This makes her smile. She follows the winding path up the hill until the Observatory comes into view.

Harry cannot stay at the dinner party. He has to get out. He is feeling ill. He can see it in Martha’s eyes. She knows. She knows everything. Harry excuses himself to go to the bathroom as the others lean back around the dinner table, waiting for the coffee to brew before digging into their dessert. He remembers that the Mulligans’ guest bathroom has a window, a large window just wide enough for a man his size.

He leaves the car behind. He is not that cruel of a husband, to make Martha walk home alone in those high heels, and plus he does not know how long he’ll be, if he’ll ever return home. He heads toward the park. He likes the idea of the anonymity of the trees, the hills. Oh, what a mess he’s made. What a mess.

Tick Tock, Eleven O’Clock

“And then, you know, I said to Lydia, I said why wait? Let’s go to Europe now!” Martha hates the Mulligans, Mr. and Mrs. Fakey Fakerson, fake grins and fake stories and even a fake, fake house built out of nothing more than cardboard and Elmer’s Glue, ready to keel over with the next gust of wind. She imagines what she would do if she had a gun, if she could prevent herself from shooting it through the rest of dessert, Arnold’s mouth a septic mess of brownies and cognac. At least she and Harry are self-aware. They know who they are. They know they are performing.

Maybe the Mulligans’ girl didn’t even die. Maybe the Mulligans just made it up. Maybe the Mulligans just sent her away to boarding school because she wouldn’t stop fucking all the boys on the football team.

Harry hears the crying from half a mile away. He decides whoever it is, he will help. He will prove himself a respectable man, a good Samaritan of the highest order. He walks faster. He runs. He will be the first to arrive. He trips and falls over a python branch. He scrapes his left knee and knocks out a tooth. Blood seeps down into his tie, but still he will not stop. He stands, sees him. His stomach turns.

“Biff? What are you doing here?”

“Dad? Are you okay? You’re bleeding. You’re hurt.”

Harry stumbles forward. Perhaps he shouldn’t have had so much wine at dinner. He holds the tooth he knocked out in his palm. “Where’s Billy?”

“Oh, he’s home, I think?”

“You know, a boy your age shouldn’t be out in the park this late. You should be in bed.”

“Sorry, I got lost.”

“Well, come here and I’ll walk you home, all right?”

Biff pushes open the door to the cage, the hinges creaking in the still night air, not a single paw print in sight. There is blood stained down his chin and the front of his navy shirt, fragments of skin and dirt under his fingernails.

His mother was right. Bad things do happen to little boys after dark.

The baby locks eyes with James, the baby who is perhaps not a baby at all. Her eyes are so blue, like a depthless lake. They stand on the concrete steps leading up to the Observatory.

The baby points a finger up at the sky, at a crackling star moving closer and closer against the black tar of the night. James picks up the baby, cradles her in his arms as she coos. She has come for him. She’ll know what to do next.

Together they’ll escape into a universe far beyond. Together, they will go home. They are not of this Earth. They were never meant to be here.

For a moment, James’s mind flashes to his mother, sitting alone on his bed, smoothing out a wrinkle in the covers, using her blouse to wipe a smudge off his prized photograph of the Apollo 11 launch. He tries to push the image out of his head, but he can’t.

Tick Tock, Tick Tock, Tick Tock, Tick Tock, Tick Tock, Tick Tock, Tick Tock, Tick Tock . . .

Martha bids farewell to the Mulligans, slipping on her coat, the furry fringes along the collar soft and comforting against her neck. Lydia and Arnold teeter in the entryway. They sway back and forth, too many bottles of red wine. Martha is still a little drunk too, but her house is close, and she’s driven this route many times. She has no idea where Harry is, and suddenly she misses him. She misses him and Billy and Biff and the baby.

Martha takes a step onto the brick porch out front, her heel landing in a small divot in the mortar. The world is off-kilter, as if everything has shifted a few degrees to the left. Martha feels the urge to turn around. She feels sick, though not from the wine and not from the food.

“Again, I’m sorry about your daughter. I can only imagine . . .”

Lydia blinks several times, as if she had just again remembered her daughter was dead. She looks down at her feet. “It wouldn’t be so bad, you know, if it weren’t for the news. Everything has to be so sensational, so titillating. But death isn’t like that. Death, violence, they’re not exciting like in the media and the movies. They’re exhausting and ugly in the most mundane way.”

Martha nods. She doesn’t know what to say. She tucks a strand of hair back behind her ear, her cheeks flushing pink.

“You know, Harry was up there, the weekend that — ”

Lydia pats Martha’s shoulder. “Harry was here, Martha. We all had dinner together. Don’t you remember?”

Just then, the Mulligans’ Maltese springs out from the bushes, trotting inside. Its little white tail propellers back and forth as Arnold scoops the dog up into his arms.

MICHELLE MEYERS is a fiction writer and playwright originally from Los Angeles, CA. Her writing has been published in the Los Angeles Times, DOGZPLOT, jmww, Grey Sparrow Journal, Juked, and decomP, and she has received awards and honors from Ploughshares, Glimmer Train, and Wigleaf. She was a 2015 PEN Center Emerging Voices Fellow in Fiction and is currently an MFA candidate at the University of Alabama’s Creative Writing program. Her debut novel, Glass Shatters, will be published in April 2016.

Visitation

Tony Clavelli

There’s a noodle shop tucked behind two equally run-down dry cleaners in a narrow alleyway that dead-ends and which is always full of puddles even when it hasn’t rained. Fiona eats lunch here every Thursday. Today is the fourth day since the sky spots appeared over Seoul, but class is on, so life is on, and it’s lunchtime.

In the days previous, no one seemed terribly worried about the black spots in the sky. Around the world, satellites are pointing Seoulward, trying to see if they could identify the mystery objects. Combined with the efforts of local meteorologists and astronomers and military personnel and conspiracy theorists, still no one has a solid grasp of what is going on. They simply agree that it is definitely something — solid masses, suspended, waiting.

Fiona walks a block from her university’s office and hooks a sharp left, splashes in the damp alley, bumps into the unavoidable smoking man bulging in his apron, perpetually on break, and she opens the jangling, steamed-up door. She sits where she can have a good view of Min-jun, the young owner in a yellow t-shirt and bandana who both cooks and serves the food while the big guy is smoking or chopping dough for noodles aggravatingly slowly.

Min-jun holds a long-handled colander over the sink and shakes the noodles out before swiftly pouring them into bowls and adding broth to cover. Fiona likes the dexterity with which he manages this, the overlapping motions, and the way the triceps tense and relax.

He sees her enter and shouts a welcome to her. He does a quick couple gestures near his face, a Vogue-like move from a K-pop video Fiona and he had laughed about on her previous visit. She mimes it back to him and suddenly the weight of loneliness lifts, even if only a fraction. Her friends usually only lasted a year or two and left with a parade of going-away parties. And any Korean friends she’s had have gotten married quickly, had children, and dropped off the social map. She and Min-jun only talk here at the restaurant, but after months of post-lunch conversation, he’s the closest friend she has.

She calls her order to him in Korean.

“Oh kay!” Min-jun says back as two distinctly separate words. The little hint of English comes with a half smile, shirking eye contact. She chose the kalguksu, a dish with fresh-cut noodles and green onions and heaps of tiny shellfish, because it is fantastic on a chilly, early spring day with strange dark spots in the sky overhead. It is also the only thing they serve. She pushes aside the water jug, the cold metal cup, and the wooden box of thin, tiny napkins she still hasn’t gotten used to during her years in this country.

Min-jun announces the arrival of the kalguksu in overly formal Korean, sets the gigantic bowl down, and gives Fiona a small bow. She digs into the noodles to show appreciation, show she’s good with chopsticks, show she loves Korean food — all that. She listens to the people at the other tables, mostly groups of three or four students, trying to see if anyone is talking about the discs in the sky. Despite her efforts, her Korean is awful, so she hears little more than conjunctions and a lot of loud slurping.

She wants these kids to be saying something about what is happening above them. But here, life carries on. And the sheer panic from home — the American media bursting with dread, the constant e-mails from friends and family and Facebook acquaintances asking if she is okay — all of that is absent here. K-pop still blasts from broken speakers outside the cell phone shops, fried chicken pubs never close, and food delivery bikes still zip past on the sidewalks.

The air-raid sirens eventually went off later that first evening. Nowhere else in the world have people become so inured to the threat of imminent doom. The evening the spots appeared, Fiona cut a class short when she saw Western media outlets suggesting a war had begun.

“We cannot cancel classes,” her boss, Dr. Che, told her. “There are no problems.”

“But the sirens went off,” Fiona said.

“They go off many times,” Dr. Che said. “We have class.”

Fiona was stunned. Her hands trembled, from the fear and frustration. She looked to her fellow professors for support, even though she knew they never paid much attention to the foreigner in the office. They just poured another cup of instant sugar-coffee and either ignored her entirely or shrugged.

Fiona always comes to Min-jun’s shop late in the lunch rush so she’s finishing up just as everyone heads back to class. Then when the bowls have been bussed, Min-jun will come and talk to her. The noodles are good — pretty exceptional for how cheap they are — but Fiona would be lying if she didn’t say she came here to be around Min-jun. He’s friendly to her, and they talk about the students and about good bars in the city and what she misses about home and what she likes about being here. Plus he wears these Japanese shirts with a wide collar that show off his perfect collarbone that glistens with sweat from working at the stove.

These moments are a reprieve for Fiona. After college, she took some atrocious adjunct positions in the U.S. teaching intro biology classes, latching onto field studies whenever they scraped up enough funding. Eventually she gave up and took the cushy job in Seoul, with long vacations and far more pay than she got at home. Of course, the job doesn’t really go anywhere, and she probably couldn’t have chosen a less biologically interesting place. Her school visited the Upo Wetlands to see the spoonbills but the whole plot was far smaller than she’d been told. As for Seoul, the city and its surroundings are devoid of all wildlife but for a few birds and some particularly thuggish cats with missing eyes and tails that creep around her apartment and hiss at her as she walks to school.

Min-jun takes a metal cup from the inverted stack on the cooler and pours himself some water from a plastic carafe.

“Kyosu-nim,” he says her with a smile. They are the same age, so normally these formalities are dropped, but Fiona likes to be called this — professor — even if something about that title feels overblown. He pulls up a chair at the table next to hers. “You have seen?”

He points towards the ceiling, and Fiona looks up at the track lighting, the water stain on the plaster. She nods, wipes her mouth with a tissue and sets down her spoon.

“What do you think it is?” she asks. “North Koreans?”

“President says it is,” he says. “So of course not!” He laughs at his own joke. It does seem like quite a leap from missiles launched into the sea to large hovering disks in the stratosphere above Seoul. Even though they looked like pinpricks from the ground, they were actually huge. Eighty meters across — that was the guess Fiona had seen come up a few times.

The heavy man, who had been in the kitchen playing on his phone, walks by, slapping his box of This Plus cigarettes against the palm of his hand. He mutters something to Min-jun without looking at him and heads outside.

“Gwang-il says aliens.” He gestures towards his partner outside. Fiona can see through the foggy glass that as Gwang-il smokes — she’d been coming here for a year and this is the first time she’d ever had cause to learn his name — he’s craning his neck back towards the sky, squinting against the brightness.

The idea wasn’t new, of course. Lots of people, even rational thinkers like Fiona, couldn’t quite let the thought escape. It had been seeded for so long, planted in books and in movies, so entrenched in the American narrative that aliens were the first thing she thought of. The night after they appeared, she even dreamed of them coming down, hovering low and beautiful. A panel beneath the vessel would slide open, and an elevator would snake down. And then she would be here — ready to be on the scene to meet them. Even in her dreams she could never quite see the beings. Instead Dr. Che, who would head the biological exchange program with the visitors, would intercept Fiona’s approach to the vessel, handing her a giant stack of visa applications to fill out. She always woke up before the visa ever came through.

In waking, the idea of being in the right place, finally, to explore a new frontier of her field — it was a fantasy she couldn’t shake. As a grad student on a field study in Ecuador, the team from another university had confirmed the discovery of the olinguito, a chubby tree carnivore that Fiona found adorable. No one from her school got any credit for their efforts.

“There are people coming here,” Fiona finally says, trying to steer the conversation away. “To Seoul. They want to study what is up in the sky. Or they want to be here when something happens.”

“What will happen?” he asks. He is staring directly at Fiona when he says this, and she detects something suggestive, just beneath the surface. She’s certain there’s an attraction. She just can’t get him to take it a step further.

“Maybe we will see,” Fiona says, raising an eyebrow.

“Saturday,” Min-jun says. He shifts in his seat. “My friend’s band has show in Hongdae.” He swallows hard, looks away at the ground a moment. He looks wonderfully nervous and Fiona can feel her face flush. He must have sensed her cue. “Do you like, um,” he searches for the right word, snapping his finger as he tries to translate his thoughts.

Before he can find it, Gwang-il slaps the door open and shouts to Min-jun in Korean — Fiona picks up none of it. She hears the roar of a crowd through the doorway. Gwang-il’s eyes are practically bulging out of their sockets, his mouth agape showing his gnarly yellowed teeth, and then he’s back outside, neck pitched back and running forward, oblivious to the risk of crashing into someone, charging towards campus.

Min-jun stands and seems to want to say something. His mouth chomps at the air, and nothing but, “Keu, uh, keu,” comes out as his head bobs and nods. Then he bows to her, a look of pain on his face.

“Sorry,” he says. Then he runs out the door. He looks to the sky, and then looks back to Fiona. Then he bolts out of the alley.

Fiona sits at a noodle shop in Seoul, completely alone, with a half-inch of lukewarm broth at the bottom of her giant black bowl. She stands uneasily, and trips as she scoots herself away from the table. There are shouts muffled from beyond the glass. She looks back at her bowl, and though she knows something horrible is outside, she feels a completely irrational obligation to drop a few blue thousand-won notes onto the table. When she opens her door, the noise erupts again. The alley is completely empty, but from the main road she hears car horns and people shouting. A sea of people rush by the narrow opening, flashing in and out of view, heading both directions. Some look up, some straight ahead.

Fiona looks up and sees the disaster. Two of the black spots, two of the specks in the sky, are much larger now. But they are not, as she had seen in her dreams, gently floating down like snowflakes, the majestic visitors’ spacecraft turned to discs on fishing line in a B-movie. Instead they careen downward, a trail of smoke streaming from each of them. One is already nearing the southern horizon; its immense size showing it can’t be all that far away. She cannot really make out details of it because it falls too fast — a purple-black ring like a fresh, deep bruise, plummeting out of the sky.

She looks at the main street, and she doesn’t see Min-jun anywhere. She allows herself, very briefly, to feel the sting of an impressively awful rejection — abandoned in the guy’s own restaurant. How does that even happen? And where is everyone going? Fiona wonders if there is some kind of protocol for what to do for this kind of situation. High above, two more of the spots have begun to fall. Whatever they are, they’re coming down fast.

The first disk disappeared behind the height of the engineering building of her school. A second groaning explosion propagates to her, a thunderclap in her feet and in her head. She hears glass breaking nearby. She crouches to touch the ground as if to make sure it is still there. She looks up, and there are two Chinese students standing on the corner next to her, and they’re both sobbing into the sleeves of each other’s letterman jackets.

The rest of the dots are now unstable, wobbling from their perch above. It’s so hard for Fiona to look away. Though the crowds of university students and shop owners seem to scatter haphazardly, the general flow heads toward the subway station. Not a bad idea. But Fiona lets herself drift in the dense crowd until she’s ejected on a side street that goes straight to the Han River. At the end of the road, there’s a staircase up a small hill to a riverside park. She races to the top where a small pavilion overlooks the river to one side and the university’s neighborhood to the other.

A third concussion hits her, louder than the others, closer. It shakes the little temple behind her. She flips off her shoes and steps up onto the wood planks and takes a full, stuttered breath. Smoke rises in thick black plumes from behind the buildings and mountains ahead at various distances from her — the closest has to be less than a kilometer, somewhere just beyond the back gate of the university. People live there, she knows. It’s Seoul — people live everywhere. There are sirens roaring from all directions.

Above her, the final spot has swollen in the sky, blooming above her. It looks like it will come down right onto the temple. She notices with surprise that she’s not afraid.

Instead, her thoughts appear and fade without her really understanding why: her mother in a low frame-rate video-call singing to her for her birthday, the little olinguito she got to study up close that winter vacation. She needs to get toothpaste, she suddenly remembers. She needs a new lunch spot.

The enormous thing passes over her, and she breathes out with relief. A moment later it slams into the Han River with a booming splash. Though the temple blocks the worst of it, though she’s a good distance from the crash, a mist of mud washes over her. Fiona clears it from her eyes to see the craft wedged at an angle and split in two halves, each partly submerged in the shallow waters. Huge waves ripple through the shallow waters and onto the highways along the river, towing some smaller cars over the guardrails. For a moment, when the water settles, everything feels still.

Then the survivors begin to emerge from the rift in the craft. They are climbing down their broken vessel, helping each other scramble onto the top and scoot down towards the water. At this distance, they’re mostly just smudges — not clearly like her or different. Fiona tries, briefly, to analyze their gait, to discern some classification, but she stops herself. For now, they’re people stuck in the water. Fiona is already making her way down from the temple to the edge of the river.

TONY CLAVELLI is a writer and stop-motion animator. He also plays drums for some bands in Seoul and really likes cartoons. His animation work can be seen on the Korean children’s series Galaxy Kids. He recently published a mixed media fiction piece on The Awl called “Excavate.” You can follow him on twitter @tonyclavelli or anywhere else for up to 100 meters or so without upsetting anyone.